Art, Technology, and the Postmodern World: Interacting with infinite possibilities.
This essay discusses the basic ideas discussed in Anderson's (1990) "Reality Isn't What It Used to Be," and explores the significance of postmodernism and cyber-culture in multimedia art. The perspective of limitless possibilities in production is linked with the possibility that a moral aesthetic is bound up with all cultural activity, and that as a 21st century artist, I am in a position to explore the possibilities that engage art and multimedia in evocative representations. 3-pages, bibliography lists 2 sources.